Torch Song: Under a Broken Red Neon Sign, A Love Story.
Initially Torch Song, written by Harvey Fierstein (Kinky Boots, La Cage aux Folles, Casa Valentina) was presented as three separate one act plays, International Stud (first presented at La Mama on Feb. 2, 1978), Fugue in a Nursery (first presented at La Mama one year later on Feb. 1, 1979), and Widows and Children First! (first presented at La Mama on Oct. 25, 1979). These names are most wonderfully and proudly illuminated within David Zinn’s (PH’s Hir) perfect and inventive set design, with beautiful lighting by David Lander (Roundabout’s Love, Love, Love), concise costumes by Clint Ramos (Six Degrees of Separation), and distinct sound design by Fitz Patton (MTC’s The Little Foxes)currently at Second Stage.
Reworked back then, into a singular four-hour theatrical event, Torch Song Trilogy as it was called, opened at the uptown Richard Allen Center in October 1981, produced by The Glines, a nonprofit organization dedicated to forwarding gay-themed cultural endeavors. It transferred on January 15, 1982 to the Actors’ Playhouse in Greenwich Village, where it ran for 117 performances. The cast included Fierstein as Arnold, Joel Crothers as Ed, Paul Joynt as Alan, Matthew Broderick as David, and a star-making turn for Estelle Getty as Mrs. Beckoff. Subsequently, on June 10, 1982, Torch Song Trilogy opened spectacularly on Broadway at the Little Theatre, where it ran for a wondrous 1,222 performances. It won a Tony Award for Best Play (Fierstein) and Best Performance by a Leading Actor in a Play (Fierstein) and instantly became iconic. Fierstein, Joynt, and Getty remained, and were joined by Court Miller as Ed and Fisher Stevens as David. I wish that this had been one of the plays I saw during any of my numerous secret trips (don’t tell my Ma) to New York City when I was a teen. How it would have affected me, is beyond comprehension. I never had to deal with the parental drama that Fierstein wrote so vividly about, but it certainly still resonates to this very day. One thing I am sure of, had I seen Torch Song Trilogy in 1981, my worldview would have been altered, most likely for the better. In the same way I believe anyone seeing this play now at Second Stage will be altered forever as well. (for the full review, click here)